News
2013 Shows
May 28-June 30, 2013
Group Show, "Figure it out," Paulo Mejia Art Gallery and Design Studio,
San Francisco, CA
May 11-June 8, 2013
Solo Show, "At Least I Have You, To Remember Me," 19 KAREN, Gold Coast, Australia
2012 Shows
December 1-December 22, 2012
Group Show, "Homage to Hollywood," 19 KAREN, Gold Coast, Australia
October 25 - November 18, 2012
Juried Art Exhibition, "Masquerade," Arc Gallery, San Francisco, CA
Juror: Jack Fischer of Jack Fischer Gallery, SF, CA
September 7- January 6, 2013
Juried Art Exhibition, "Honoring Women Rights: Visual Voices Together,"
National Steinbeck Center Museum, Salinas, CA
June 9-July 21, 2012
Group Show, "The Art of Spain," 19 KAREN, Gold Coast, Australia
2013 Catalogue
"Bound," Juror: Cora Rosevear, Associate Curator of Painting and Sculpture,
The Museum of Modern Art, NYC
Representation
19 KAREN Contemporary Art Space, Gold Coast, Australia.
Biography
Born in Salem, Oregon as Jennifer Wilkinson in 1970–Jennifer Mondfrans lives in San Francisco.
Autodidact by nature, Jennifer created her independent painting classes while studying philosophy at Lewis & Clark College in Portland, Oregon. Her first painting won the President’s Award, the school’s top art prize. She also won a grant to fund the creation of a 4’ x 7’ acrylic painting which was featured on the 1993 yearbook cover and is now in the college’s permanent collection. Jennifer was the second woman in the college’s history to receive honors in Philosophy in 1993 and the only one to do so without taking a class in her thesis topic (metaphysics and Spinoza).
After college, Jennifer continued to paint (sometimes in heated conditions) while working as a residential counselor for teenage girls then as a writer for an adventure travel magazine, traveling to Italy and India on assignment. Working as a temp for the front desk of an ad agency, she was hired as a copywriter. Although it was only eight months until the agency folded, she freelanced for five years– painting in the after-hours while working in all forms of advertising, from print, web, to six-pack beer copy and writing infomercial scripts. On moving to San Francisco in 2002, Jennifer took a myriad of part-time jobs and built a body of work. She has shown in San Francisco, New York City, Portland, Oregon, Hudson, New York, Gold Coast, Australia and the National Steinbeck Museum.
Art doesn’t care if you’re man or woman. One thing you have to have is talent, and you have to work like mad. ~ Alice Neel
ARTIST STATEMENT
In my work, I do portraiture influenced by the purity of color, individualism, science and storytelling.I am inspired by true individualism. Especially those whose self-determinism defied odds with a vision that expanded the boundaries of how we think, thereby influencing the cultural mind.
I use oil, acrylic and watersoluble wax pastel to explore faces through high-octane color without using the color black. I like the tension between seemingly incongruent colors and juxtaposing complementary colors, layering the medium to create a textural topography of each face.
I am interested in exploring different forms to communicate the nature of the individual, ranging from traditional portraits, to conceptual, to participatory installation art.
At Least I Have You, To Remember Me
Solo Show, 19 KAREN, Gold Coast, Australia. May 11-June 8, 2013
This show explores the idea of historical importance through paintings and the active engagement of reading, smell and memory. Eight acrylic paintings of portraits of pioneering women scientists are the subjects of historical forgetfulness. Next to each painting is a mounted letter written to You, from the woman scientist. In a manner of historical fiction, the letter is personal narrative, framing her challenges and accomplishments and what her work did for science.
History becomes the future through memory. Will you remember her?
In each piece, her scientific achievement is an accessory or wallpaper–an allusion to how male-dominated science has viewed her historical importance. The wooden plaques are saturated with layers of essential oils, which gives each letter a faint fragrance. Essential oils are the plant’s communication system and like an invisible language, the aroma tells of truths just under our conscious awareness.
“At Least I Have You, To Remember Me” is tactile and temporal, asking You to take the time to become a witness, to investigate and absorb the messages from the past to become the future vessel of an imagined memory.
Click on any image to enlarge. Click on letter to read.
Portraits
The latest four pieces are for the Homage to Hollywood show, a group exhibition in December 2012, created exclusively for my gallery 19 Karen in Australia. The next four were for The Art of Spain group exhibition at 19 Karen in June 2012. The last three are portraits of my favorite artists.
Click on any image to enlarge.
Radical Elders
Select a story to listen to
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- 1. DiPrima’s guide to LSD
- 2. Sharpe, surrealism & the Foot Apple
- 3. Sasha’s fav drugs & how to take them
- 4. Ann considers GOD
- 5. Squeeky wee wee
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"Storytelling does not aim to convey the pure essence of the thing, like information or a report. It sinks the thing into the life of the storyteller. Thus traces of the storyteller cling to the story the way the hand print of the potter cling to the clay vessel."
~ Walter Benjamin, Illuminations
Imagine walking into a gallery and finding a life-size, wooden porch. On the porch are two rocking chairs, with one rocking on its own. You step up on the porch to find the moving chair is a Radical Elder, painted on the back of the chair. Sitting in the opposite rocker, you put on the headphones, start the iPod and begin listening to their story.
I consider a Radical Elder one whose life passion continues without retirement and whose thinking expanded our cultural mind. Choosing 4 bay area elders; I recorded Mal Sharpe, Diane DiPrima, Alexander "Sasha" Shulgin and Ann Shulgin with binaural microphones so with headphones, participants can hear the 360-degree sound of their stories. Mal Sharpe tells his story about what it what it was like in San Francisco in 1962 while a cable bar roars by in the background. Sasha Shulgin takes you into his famous lab in Lafayette where he made over 800 new psychotropic compounds and discusses his scientific methodology.
Surrounded by visual and aural senses, listeners experience a painting conversation that invites people to take the time to become an active part in another's memory. This is what Walter Benjamin states as participating in the chain of tradition that passes a happening on from generation to generation. When it’s over, you carry the story with you and the art of storytelling lives on.
listen to excerpts of the stories
Diane DiPrima
Poet (b. 1934)
oil on wood
19" x 24"
2011
Diane Di Prima is the first, and probably most important, woman writer of the Beat Movement. She is the author of 44 books of poetry and prose, and has been translated into over 20 languages. An expanded edition of her classic, Revolutionary Letters, was recently published by Last Gasp Press. Opening to the Poem, essays and exercises to access the creative process in everyone, was published by Penguin in 2009. Diane is Poet Laureate of San Francisco. She lives and teaches in San Francisco.
Mal Sharpe
Performer (b. 1936)
oil on wood
19" x 24"
2011
In the early 1960s, Mal teamed with Jim Coyle to create a series of comic on-the-street interviews for San Francisco radio station KGO. They released 2 comedy albums of street pranks in 1964 for Warner Brothers. As a solo performer, he later released 2 albums and continued as a solo interviewer with a syndicated TV series, The Street People. In the 1980’s he hosted a series of public television specials, Mal Sharpe’s San Francisco. Now he hosts a jazz show on KCSM and plays trombone in his Dixieland jazz band, The Big Money In Jazz Band.
Sasha Shulgin
Chemist (b. 1925)
oil on wood
19" x 24"
2011
Alexander “Sasha” Shulgin, Ph.D., is a pharmacologist and chemist known for his creation of new psychoactive chemicals. He has synthesized and bioassayed (self-tested) hundreds of psychoactive chemicals, recording his work in four books and more than two hundred papers. In 1967, he was introduced to the possibilities of MDMA (ecstasy) by an undergrad at San Francisco State University. Though Sasha didn’t invent the chemical, he did create a new synthesis process in 1976, which led to hundreds of therapists using the material in therapy.
Ann Shulgin
Writer (b. 1931)
oil on wood
19" x 24"
2011
With her husband Sasha, she has co-authored the books PiHKAL and TiHKAL, and is currently working on a forthcoming book on cactus quinoline alkaloids. As a researcher and writer she worked with psychedelics such as MDMA and 2C-B before they were scheduled in 1985. Her unique and valuable insights into the beneficial effects psychedelics can have in therapeutic contexts have tremendous value to researchers continuing with such work.
Floyd Query
Secretary of Oregon Highway Department (1907-1996)
oil on wood
17.5" x 22"
2008
My Grandpa, Floyd Query, would tell stories to his kids and Grandkids about Squeeky Wee Wee. Sometimes it was a squirrel, or a kitten, but Squeeky was always the runt of the family and always got in trouble because he forgot to pay attention. On excursions to Diamond Lake, Oregon, where my Grandpa loved to fish in his hand-built boats, my brothers and I would get treated to a Squeeky Wee Wee story every night. My uncle recorded my Grandpa in 1975 and I had the stories remastered to create the first storyteller in my series. With the rocking chair experience, the art becomes a living heirloom. I can listen to the easy cadence in his voice again.
Pop Portraits
30 Portraits done in watersoluble wax pastel & acrylic on 18" x 24" canvas.
Click on any image to enlarge.
Women Scientists in History
15 paintings featuring women scientists. Her contribution is integrated into each piece and detailed on a brass engraving on the frame.
Presented in chronological order, these women advanced science and did so against all odds and even against prevailing scientific opinion.
Archival prints available.
click on any image to enlarge
Maria Mitchell
Astronomer 1818-1889
She won the gold medal in a competition held by the King of Denmark to discover a new comet in 1847. Mitchell's comet is now identified as C/1847 tl. In 1848, she was the first woman elected to the American Academy of Arts and Sciences. She co-founded the Association for the Advancement of Women in 1873.
Maria's comet streaks through her hair.
Elizabeth Blackwell
Medical Doctor 1821-1910
She was the first woman awarded a medical degree in the United States. No hospital would employ her, so in 1853 she opened a dispensary in a tenement district of NYC, which later became the New York Infirmary of Women and Children. she was a visionary doctor who worked for those in the poorest conditions.
Elizabeth sports a 19th century travel stethoscope.
Agnes Pockels
Physicist, Fluid Dynamics 1862-1935
With no more than a public high school education for girls, she pioneered the study of surface film physics. Remarkably, she did this out of her own home, studying with her brother's physics books, while taking care care of her sick parents. The surface balance technique Pockels developed is still used today.
Agnes relaxes with her surface tension blouse.
Beatrix Potter
Mycologist, writer 1866-1943
Before becoming a storybook writer, she studied fungi, creating over 270 detailed watercolors now on display in the Armitt Library in Ambleside, England. She kept a private journal written in code, which wasn't published until 1966 because no one could break it. Once broken, it took the decoder seven years to decipher.
Beatrix can't wait to play with her dog Spot.
Marie Curie
Physicist and Chemist 1867-1934
She was a pioneering scientist who won the Nobel Prize twice. She was awarded in 1903, sharing the Nobel Prize in physics with her husband, Pierre Curie and Henri Becquerel for the discovery of radium and polonium. In 1911, she was the first woman to win the Noble Prize in chemistry, by herself, for the isolation of pure radium.
Marie radiates in the green glow of radium.
Henrietta Swan Leavitt
Astrononomer 1868-1961
In her career at Harvard College Observatory, she discovered more than 2,400 variable stars. She saw a direct correlation between the time it took a star to go from bright to dim and the star's actual brightness. Knowing this relationship helped other astronomers, such as Edwin Hubble, make their own groundbreaking discoveries.
Henrietta models a distant galaxy.
Lise Meitner
Physicist 1878-1968
She gave the first theoretical explanation of the fission process. While exiled in Stockholm during the second world war, she kept in constant collaboration with her partner in chemistry, Otto Hahn. Although the Nobel Committee overlooked her vital contribution, the element Meitnerium, a transuranian element, is named after her.
Lise basks in the sparks of fission.
Emmy Noether
Mathematician 1882-1936
Emmy Noether made fundamental contributions in abstract algebra, developing ideal theory, the basis of modern ring theory; and in theoretical physics, establishing relationships between symmetries of a system and conservation laws. At her death, Einstein wrote in her obituary: Fraulein Noether was the most significant creative mathematical genius thus far produced since the higher education of women began.
Emmy works her First Theorem as a bow tie.
Barbara McClintock
Geneticist 1902-1992
She received the Nobel Prize in medicine in 1983 for showing that genes could transpose (move around) within chromosomes. This so-called "jumping gene" taught her that stress and the genome's reaction to it underlie our evolution. Her revolutionary understanding came from studying simple grains of maize.
Barbara poses with her maize.
Kathleen Yardley Lonsdale
Chemist 1903-1971
She solved a 64-year contention in chemistry by confirming experimentally the ring structure of benzene, the aromatic compound responsible for scent. She also gave the structure's precise molecular dimensions. In 1945, she was the first woman to be elected to fellowship in the Royal Society, which had excluded women for 285 years.
Kathleen looking clever in her benzene ring glasses.
Marie Geoppert-Mayer
Physicist 1906-1972
She won the Nobel Prize in physics in 1963 for her discoveries concerning the meaning of the magic numbers (nuclei with a special number of protons). She established mathematically that these numbers are the nuclear counterpart to the closed shells of electrons at the atomic level.
Marie on the move in her magic numbers hat.
Dorothy Crowfoot Hodgkin
Chemist 1910-1994
In 1964, she was the third woman to win a Nobel Prize in chemistry. Her three greatest chemical achievements were her determination of the structures of penicillin, vitamin B12, the vitamin that prevents pernicious anemia and insulin, the hormone essential for carbohydrate metabolism.
Dorothy dazzles in her formula for Vitamin B-12.
Chien Shing Wu
Physicist 1912-1997
In 1957, she devised the experiment which disproved the law of conservation of parity-an amazing feat in physics. She was the first woman to receive the Comstock Award from the National Academy of Sciences in 1964. After all this success, she moved into medical research to study sickle cell anemia.
Chien dresses up a sickle cell slide.
Rosalind Franklin
Chemist 1920-1957
A bold physical chemist, Rosalind's groundbreaking crystallographic techniques led to important discoveries in plant viruses and coal. Although she was not honored, her photographs of DNA gave the experimental proof for the Nobel Prize-winning double helix model.
Rosalind shines in her double helix necklace.
The Curie Family Investigate the Crab Nebula
Marie Curie (1867-1934), Pierre Curie (1859-1906), Irene Joliot-Curie (1897-1956) Frederic Joliot-Curie (1900-1958)
The magnetic field near the Crab Nebula is 900 billion times stronger than the Earth's. The average density of Crab Nebula material is the same as a sugar cube containing every American automobile. Imagine the weight of 100 billion cars in a one-centimeter cube. This same density is found in every atomic nucleus in your body.
Oils
Click on any image to enlarge.
After Brassai
The photographer Brassai would roam the streets of Paris at night, photographing the scenes played in public as well as the underground; from the brothels, to his artist and writer friends, who would become famous icons. These 17 pieces are Inspired by his exquisite black and white photographs. All work is oil on board, 12" x 16".
Click on any image to enlarge.





